Pablo Picasso in his studio, photographed by Arnold Newman, 1956 via NPR The image also serves as an incredible testament to Newman’s ability to capture the essence of his subjects through the objects that surround them. The photograph conveys a sense of the intensity, passion, and obsession that drove Picasso to create his body of work. In another instance in 1956, Newman captured Picasso in his studio where he was surrounded by paintings and sculptures. In this portrait, Picasso looks directly at the camera with a hand resting on his forehead, looking more serious than in many other photographs of him. Specifically, he focused on the details of Picasso’s face and his expression. In 1954 Newman however strayed from his usual use of background and focused directly on Picasso himself. Let’s take a look at some examples of these works.Īrnold Newman’s Portraits of Famous People Portrait of Pablo Picasso in Vallauris, France, by Arnold Newman, 1954, via Musée Magazineĭuring his time as an artist, Arnold Newman made several incredible portraits of Pablo Picasso, the Spanish painter, and sculptor regarded as one of the greatest artists of the 20th century. Kennedy, Marilyn Monroe, Albert Einstein, Pablo Picasso, Salvador Dali, and Elvis Presley. Some of the famous figures he portrayed include John F. All of his photographs of these various individuals capture the unique qualities that made each of them so important in their respective fields. He portrayed artists, intellectuals, political figures, and celebrities. Newman had the chance to photograph some of the most famous figures of the 20th century. This highlights just how much he valued the importance of photographic interaction between the subject and the background in an image. For many of his projects, the artist took the time to set up the composition well before the subject was placed in it. The composition was key in all of Newman’s portraits.ĭespite working with his subjects in their natural habitat in a way that seems effortless and candid the artist was known for masterfully conceptualizing his projects in detail, designing floor plans, equipment, schedules, and possible poses before the actual shoot even took place. By resisting the limitations of traditional photography studios and conventional lighting, Newman was able to capture the essence of his subjects and their achievements, giving the resulting images a depth and richness that was often lacking in more traditional portraits. One of the key characteristics of Newman’s photography was his use of the environment in his portraits. With his continuous exploration of the art of portrait photography, Newman truly became a pioneer in this field. The artist simply did what felt natural to him, showing his subjects in their natural setting. He didn’t care for this title, so he never adopted it himself. However, the portraitist did not quite agree with the nickname he was given. This was a tribute to the fact that the environment served as such an important part of his photographic works. With his masterful use of the background which was supposed to help tell an insightful story, Newman came to be known as an environmental portraitist. He didn’t just ask for his subjects to simply pose for him in a generic studio setting. ![]() Over the course of his long career, Newman became known for his distinctive approach to portraiture photography, which often involved placing his subjects within a particular context that would show their job or their surroundings. Newman worked as a commercial photographer for various publications over the following years, including the New Yorker, Life, Vanity Fair, Harper’s Bazaar, Esquire, and New York Times Magazine. He studied under the influential artist Berenice Abbott, who was known for her incredible portraits and photographs of architecture and urban design in New York City. Born in New York City in 1918, the portraitist began his career as a photographer in the 1940s. He is remembered for his innovative, enlightening, and expressive images that show some of the most famous figures of the 20th century. In this episode of Black Sheep, we investigate Dr Alfred Newman's story - and the wider story of scientific racism in Aotearoa.Who was Arnold Newman? Arnold Newman in his studio, via WidewallsĪrnold Newman was a pioneering portrait photographer. Dr Newman's notorious 1882 paper saw significant criticism from New Zealand's top scientists of the time. However these ideas of white supremacy have always been contested in Aotearoa - by Māori and also some Pākehā. He was building on a longer history of racial supremacy - bouyed in part by Charles Darwin's theories of "natural selection" and "survival of the fittest", which many 19th Century Pākehā seized as a scientific justification for preexisting ideas of racial superiority. ![]() Dr Newman's views didn't spring out of nowhere.
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